Color Correction in Final Cut Pro. |
Thursday, 29 November 2012
Lighting on Final Cut Pro
After importing some of my footage, the lighting was very poor as I did it in the dark in London, even though there were street lights around me the lighting did not appear right on the video. So to improve this I edited it using Color Correction. However, this has resulted in the footage becoming slightly pixelated as there has not been enough light for the camera to take in.
Wednesday, 28 November 2012
Technical skills
Looking at other music videos, I have been observing what camera angles have been used and how they've been effective. For example, after looking at one of Cover Drive's music videos they tend to use a lot of low angle shots.
There are also side-angle shots that I liked from the video, where they are not facing the camera at all
I like the low angle shots and might try it out during my solo shots when I am against the Black History mural.
I have also noticed that sometimes the camera movements are quite quick in the Cover Drive music video as this goes well with the tempo of the music, as the song I am doing has a similar tempo, I might try that idea too to create that fun, fast-paced impact. Additionally, quick cuts.
I have also noticed that sometimes the camera movements are quite quick in the Cover Drive music video as this goes well with the tempo of the music, as the song I am doing has a similar tempo, I might try that idea too to create that fun, fast-paced impact. Additionally, quick cuts.
Monday, 26 November 2012
25th November filming
Yesterday I was able to film a few solo shots in front of the Black History mural.
I chose to do this as I feel the mural can go quite well with my music video and my song as it is a Caribbean song, there are Caribbean references in the mural. I also got inspiration from one of Cover Drive's music videos as they have a similar mise-en-scene with a mural.
I chose to do this as I feel the mural can go quite well with my music video and my song as it is a Caribbean song, there are Caribbean references in the mural. I also got inspiration from one of Cover Drive's music videos as they have a similar mise-en-scene with a mural.
Saturday, 24 November 2012
23rd November filming
The filming last night went well as I got the shots I was planning to get, however I was not able to do any solo shots as it got too dark but I have the footage with the two girls I met for a few seconds for my chorus.
Wednesday, 21 November 2012
Wednesday, 14 November 2012
Editing theory
In class we did group work to help us understand the theory of editing. We had screen shots from the movie Mad Max 2 and had to place in order. We figured this out by looking at the continuity of the frames and judging by match on action, this helped us figure out where each frame should be.
After this, we were put into two groups, one group had to shrink time and the other and to expand time.
Shrinking Time
Through a series of fast paced cuts we can see things that would take a long time in just a few minutes or seconds. Insted of watching a character get in a car and drive for 20 minutes w see tem get in an then get out, lettin us assume that the journey has taken place.
Expanding Time
The editor can expand time by adding additional details. For example, someone is sitting in a chair waiting for the phone to ring. In real time this might only last half a minute. But the editor can build up tension by including shots of the person's eyes, tapping fingers (to show impatience) etc, drawing the scene out to a minute or more. We are looking at 'film' time, not real time.
Finding Rhythm
Editing sets the rhythm or pace of a scene. This could be dictated by either the music used behind a scene or the mood that the editor trying to create and pace that you edit. To build up tension in a scene you might cut from one shot to another, very quickly. However, in a relaxed scene the editing will progress at a much slower pace, dwelling longer on each shot.
I found this useful as I can apply some of this theory to my music video for example shrinking time. I think that I will be shrinking time in my music video as my song is a bright, happy song and I have shots from day-time and then some from night time.
After this, we were put into two groups, one group had to shrink time and the other and to expand time.
Shrinking Time
Through a series of fast paced cuts we can see things that would take a long time in just a few minutes or seconds. Insted of watching a character get in a car and drive for 20 minutes w see tem get in an then get out, lettin us assume that the journey has taken place.
Expanding Time
The editor can expand time by adding additional details. For example, someone is sitting in a chair waiting for the phone to ring. In real time this might only last half a minute. But the editor can build up tension by including shots of the person's eyes, tapping fingers (to show impatience) etc, drawing the scene out to a minute or more. We are looking at 'film' time, not real time.
Finding Rhythm
Editing sets the rhythm or pace of a scene. This could be dictated by either the music used behind a scene or the mood that the editor trying to create and pace that you edit. To build up tension in a scene you might cut from one shot to another, very quickly. However, in a relaxed scene the editing will progress at a much slower pace, dwelling longer on each shot.
I found this useful as I can apply some of this theory to my music video for example shrinking time. I think that I will be shrinking time in my music video as my song is a bright, happy song and I have shots from day-time and then some from night time.
Tuesday, 13 November 2012
Location
Another location that I was thinking to use for my solo shots:
This is a local wall so it'll be a lot easier to get to and the painting is very artistic and would be great to show in the video and I think it goes quite well with my song.
This is a local wall so it'll be a lot easier to get to and the painting is very artistic and would be great to show in the video and I think it goes quite well with my song.
Thursday, 8 November 2012
Wednesday, 7 November 2012
Shot list
Shot
number
|
Angle
|
Shot
distance
|
Description
|
Location
|
Cut
|
Duration
(seconds)
|
0
|
-
|
-
|
-
|
-
|
Fade in
|
1
|
1
|
Low angle
|
Close up
|
Electric Avenue sign
|
Brixton, London
|
Straight cut
|
3
|
2
|
-
|
-
|
Video from Barbados (2)
|
-
|
Straight cut
|
3
|
3
|
-
|
-
|
Solo shot – pan upwards from feet
|
Reading - Black history mural
|
Straight cut
|
3
|
4
|
-
|
Close up
|
Video from Reading Black history mural
|
-
|
Straight cut
|
3
|
5
|
-
|
-
|
Video from London - Brixton
|
-
|
Straight cut
|
3
|
6
|
-
|
Mid-shot
|
Solo shot
|
Reading - Black history mural
|
Straight cut
|
4
|
7
|
-
|
Close-up
|
Solo shot
|
" "
|
Straight cut
|
5
|
8
|
-
|
Mid-shot
|
Solo shot
|
" "
|
Straight cut
|
5
|
9
|
-
|
-
|
Video from London/Barbados
|
-
|
Straight cut
|
2
|
10
|
-
|
-
|
Video from London/Barbados
|
-
|
Straight cut
|
2
|
11
|
Side angle
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
4
|
12
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
3
|
13
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
4
|
14
|
-
|
Close up
|
246 shot
|
-
|
Split screen into 3 vertically
|
1
|
15
|
Long shot
|
-
|
Solo shot
|
Reading
|
Straight cut
|
2
|
16
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
4
|
17
|
-
|
Close up
|
Solo shot
|
Reading
|
Straight cut
|
2
|
18
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
2
|
19
|
-
|
Wide shot
|
Teaching people wukkin’ up – different people
|
-
|
Straight cut
|
13
|
20
|
-
|
-
|
Video from London
|
-
|
Straight cut
|
3
|
21
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
4
|
22
|
Low angle
|
-
|
Solo shot
|
Reading
|
Straight cut
|
2
|
23
|
Side angle
|
-
|
Solo shot
|
Reading
|
Straight cut
|
4
|
24
|
-
|
-
|
Video from London (Brixton)
|
-
|
Straight cut
|
5
|
25
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
4
|
26
|
Wide-shot
|
Solo shot
|
Reading
|
Straight cut
|
3
|
|
27
|
-
|
Long-shot
|
Solo shot
|
Reading
|
Straight cut
|
3
|
28
|
-
|
-
|
Video of Barbados/London
|
-
|
Straight cut
|
5
|
29
|
-
|
-
|
246
|
-
|
Split screen into 3 - horizontal
|
1
|
30
|
Side angle
|
-
|
Solo shot
|
Reading
|
Straight cut
|
2
|
31
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
2
|
32
|
-
|
Wide-shot
|
Solo shot
|
Reading
|
Straight cut
|
2
|
33
|
-
|
Long-shot
|
Solo shot
|
Reading
|
Straight cut
|
2
|
34
|
-
|
-
|
Teaching people wukkin’ up
|
-
|
Straight cut
|
12
|
35
|
-
|
-
|
Barbados video
|
-
|
Straight cut
|
2
|
36
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
4
|
37
|
Close up
|
Solo shot
|
Reading
|
Straight cut
|
1
|
|
38
|
-
|
-
|
Video of London
|
-
|
Straight cut
|
4
|
39
|
-
|
Mid-shot
|
Solo shot
|
Graffiti wall
|
Straight cut
|
3
|
40
|
-
|
Close up
|
Flag
|
-
|
-
|
1
|
41
|
-
|
Long shot
|
Solo shot
|
Straight cut
|
3
|
|
42
|
-
|
Close up
|
Solo shot
|
Straight cut
|
1
|
|
43
|
-
|
-
|
Solo shot
|
Reading
|
Straight cut
|
4
|
44
|
-
|
-
|
Video of London
|
-
|
Straight cut
|
4
|
45
|
-
|
Wide shot
|
Solo shot
|
Reading
|
Straight cut
|
4
|
46
|
-
|
-
|
2 Videos of Barbados
|
-
|
Straight cut
|
5
|
47
|
-
|
-
|
Video of London
|
-
|
Straight cut
|
|
48
|
-
|
Mid-shot
|
Solo shot
|
Reading
|
Straight cut
|
3
|
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